A powerful theatrical testament by Keenan Scott II, THOUGHTS OF A COLORED MAN weaves spoken word, slam poetry and rhythm into a mosaic of the inner lives of Black men, and heralds the arrival of an essential new voice to the American Theater.
Speaking, as I was above, of political correctness, I'm about to give the currently prevailing policy a tug of my own. I reiterate that Scott's Thought of a Colored Man is for all audiences, but I submit that there are really only two audiences and that both will profit deeply from it. The BiPOC audience members will recognize and appreciate Scott's understanding of who they are and what continuing indignities they experience daily. The white audience, realizing more in the last few BLM years than it historically has, will be taking in even newer revelations about a country so long and still too recalcitrantly the major societal and cultural influence. For his perspicacity and for his well-honed insistence on perceiving and respecting the life of the Other, playwright Scott is to be profoundly thanked.
Like Shange's seven all-female characters (called the Lady in Red, the Lady in Blue, etc. after the color of their costumes) who told the stories of Black women's lives through poetry, song and dance, Scott's seven all-male characters (called Anger, Lust, Happiness and other emotions or character traits) tell the stories of Black men's lives through spoken word poetry, and occasional song (sung, beautifully, by Luke James.). But like the various series in which the cast members have performed, 'Thoughts of a Colored Man' also presents credible characters in more or less straightforward scenes - watching a basketball game and bickering in a neighborhood barbershop (the best scene), working or shopping at a grocery store, discussing women while waiting endlessly for a bus, waiting at a hospital maternity ward, coaching basketball in a school gym, shooting the breeze on a line to get the latest Air Jordans.
2021 | Broadway |
Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2022 | Drama Desk Awards | Outstanding Music in a Play | Te'La |
2022 | Drama Desk Awards | Outstanding Projection Design | Sven Ortel |
2022 | Outer Critics Circle Awards | John Gassner Award | Keenan Scott II |
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