The year is 1973 and it's all happening. Led Zeppelin is king, Richard Nixon is President, and idealistic 15-year-old William Miller is an aspiring music journalist. When Rolling Stone magazine hires him to go on the road with an up-and-coming band, William is thrust into the rock-and-roll circus, where his love of music, his longing for friendship, and his integrity as a writer collide. Almost Famous is about a young man finding his place in the world and the indelible characters he meets along the way. It's a celebration of community, family, fandom and the power of music.
If we are to heed Lester Bangs’ earlier warning, then “Almost Famous” — like the music it celebrates — defies critique. It does not, however, defy comparison. It is equal parts groovy sexiness of “Hair,” gawky coming-of-ageness of “Dear Evan Hansen” and wild artist fantasy of “Rent.” Unfortunately, when an original musical doesn’t actually have anything original to say, every note falls flat.
I'm sorry to say that despite the intelligence of the 2000 movie on which it's based, and the track record of its creators, the stage musical misses every opportunity to be the sharp, smart entertainment it might have been. In retelling the story of a 15-year-old who gets sucked prematurely into the world of bands and groupies and roadies and drugs, it lands instead in a mystifying muddle, occasionally diverting but never affecting.
2019 | San Diego, CA (Regional) |
The Old Globe Premiere Production San Diego, CA (Regional) |
2022 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama Desk Awards | Outstanding Music | Tom Kitt |
2023 | Drama Desk Awards | Outstanding Sound Design of a Musical | Peter Hylenski |
2023 | Drama Desk Awards | Outstanding Wig and Hair | Campbell Young Associates |
2023 | Theatre World Awards | Theatre World Awards | Casey Likes |
2023 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Tom Kitt |
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